Sunday 29 July 2012

Mike Capp's pop cultural spoof of the painting, Sleep Batman, Batman fills the head's role

 


Batman gets a Surrealist makeover as Salvador Dali's monstrous Sleep

Batman gets a Surrealist makeover as Salvador Dali's monstrous Sleep

Salvador Dalí's painting Sleep depicted a disembodied, slumbering head held aloft by crutches. In Mike Capp's pop cultural spoof of the painting, Sleep Batman, Batman fills the head's role, snoozing without any thought to the fragile props that might collapse below him.

Capp does a lot of these fine art/pop culture mashups, including Boba Fett and Spider-Man as painted by Picasso, Lily Munster as a Modigliani nude, and Skeletor in the style of Klimt. As for Dalí himself, Capp casts him as the Joker, which seems apt for the mischievous artist.

Prints of both paintings are available from Capp's Yessy gallery.

Sleep Batman Sleep and Dalí Joker [Yessy via Ian Brooks]

TENACIOUS D Concert Shut Down Due to STABBING

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"I'm gonna hump you sweetly," is not what the crowd at a Tenacious D concert got to experience last night ... because a brutal fight broke out instead and at least one person was STABBED, this according to local reports. 

It all went down at Mandalay Bay's House of Blues in Vegas. Jack Black and Kyle Gasswere playing a set when all of the sudden a fight erupted in the crowd, according to 8 News Now Vegas.

According to the report, one person was stabbed in the leg and rushed to the hospital, but is expected to recover.

Following the incident, the police shut down the House of Blues, thus cancelling the rest of the concert. 

8 News Now says the cops currently have one person in custody and they are not looking for any other suspects.

Recently Apple celebrated the opening of its new flagship store in Barcelona, Spain. Incasecommemorates the opening with a new limited edition iPhone 4/4S Snap Case.

 

 

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If you want the new Incase case, you will have to pass by the new store.

Thursday 26 July 2012

Paper Passion, a scent from Geza Schoen for Wallpaper magazine, makes its wearers smell like freshly printed books

Paper Passion, a scent from Geza Schoen for Wallpaper* magazine, makes its wearers smell like freshly printed books. I suppose it can be alternated with "In the Library," a perfume that smells like old books.

Paper Passion fragrance by Geza Schoen, Gerhard Steidl, and Wallpaper* magazine, with packaging by Karl Lagerfeld and Steidl.

“The smell of a freshly printed book is the best smell in the world.” Karl Lagerfeld. 

It comes packaged with inside a hollow carved out of a book with "texts" by "Karl Lagerfeld, Günter Grass, Geza Schoen and Tony Chambers."

Friday 20 July 2012

'Porno' depiction of Kali in game leads to protest

Hindu groups are protesting against Hi-Rez Studios, a US-based company, which has launched an online game, SMITE, with a slutty, femme-fatale portrayal of Hindu Goddess Kali. SMITE is an online battleground of mythical gods and features a number of other Hindu gods and goddesses such as Vamana and Agni.

Catholics, Jews and Buddhists have come out in the support of those Hindus who are upset with this. Well-known Roman Catholic leader in Nevada, USA, Father Charles T Durante, prominent Jewish leader in western USA Rabbi ElizaBeth W Beyer and distinguished Buddhist leader from Nevada, USA, Reverend Jikai' Phil Bryan have issued separate statements criticising Hi-Rez's game. Reverend Bryan has reportedly said: "Shame on the game-makers for denigrating these Supreme Beings".

The Hindu Jagruti Manch on its website says: "This game has portrayed Hindu Goddess Kali Mata in very bad manner, with appearance as a combat porn-star. Kali Mata is highly revered Hindu Goddess and more than one billion Hindus worship her. Also it is grave of insult of Hindu Deities as Deities are not objects to be used for online games."

'Porno' depiction of Kali in game leads to protest

While IBNLive checked out the game videos where the characters are pretty tiny, it has found no evidence of the Goddess being portrayed as a pornstar. Yes, she is barely clad like Hollywood femme fatales which is possibly not a reverential portrayal of a goddess worshipped by a billion people.

Hi-Rez COO Todd Harris's words have been pretty high-strung. "In fact, given Hinduism's concept of a single truth with multiple physical manifestations, one could validly interpret ALL the gods within Smite to be Hindu. And all gods outside of Smite as well. Ponder that for a minute. Anyway, going forward Smite will include even more deities, not fewer," he has been quoted as saying.

Rajan Zed, President of Universal Society of Hinduism, said he's urging Hi-Rez to reconsider their portrayal of these gods and that they should have them removed from the game, especially Kali. He has called the portrayal "pornographic style".

"Video game makers should be more sensitive while handling faith-related subjects and no faith, larger or smaller, should be trampled. As these games left lasting impact on the minds of highly impressionable children, teens and other young people; such inappropriate depictions would create more misunderstandings about Hinduism, which was already a highly misunderstood religion in the West," Zed's official press statement reads.

Friday 13 July 2012

Tattoos are permanent reminders of temporary feelings

Tattoo
'It's wisest to pick someone whom you cannot break up with or divorce.' Photograph: Gary Powell/Getty Images

Tattoos are permanent reminders of temporary feelings – at least if you believe the report in Thursday's Daily Mail, which looked at "embarrassing" matching couple tattoos – designs that complement or complete each other across two, romantically involved bodies.

Yet there are millions of people who feel no embarrassment about the tattoos they share with their friends, lovers and even exes. Moreover, as with most perceived "new trends" in tattooing, this practice is one with a history far older than the current generation; it's a phenomenon that provides both an insight into human beings' fundamental relationships with their own bodies and the bodies and lives of those close to them.

 

Tattoos have been used as markers of association for probably as long as human beings have walked the earth, to mark tribal affiliations, regimental membership in the military, membership of fraternal orders such as the masons or US college Greek letter groups, and to signify gang membership.

The most common of these types of affiliative tattoos, though, is marking an attachment to a loved one. There's an old adage in tattooed circles that suggests getting your lover's name tattooed on you is a sure kiss of death for that relationship, and it's an old gag too: Norman Rockwell's famous 1944 Saturday Evening Post cover painting, The Tattooist, shows a salty sailor in the tattooist's chair, having yet another name added to an arm already full of the crossed-out names of past paramours. Even earlier, a cartoon in Punch from 1916 shows a "fickle young thing" – a well-turned-out young woman, as it happens – revisiting her tattooist to seek an amendment to the ornamental crest tattoo on her arm as she has, euphemistically, "exchanged into another regiment".

 

None of this seems to have affected the long-standing popularity of having names or symbols tattooed to commemorate couples' love and bond. Magazines in the 1920s reported the latest fad for newlyweds was getting matching tattooed wedding rings; preserved tattooed skins in the Wellcome Collection from the late 19th century feature names and portraits of lovers; studies of tattoos in the American navy in the 18th century reveal a large percentage of seamen of the period bore tattoos of the names of women; even Christian pilgrims in the 16th century were recorded to have borne the names of their wives on their skins, as tokens or identificatory marks; and records attest to romantic tattooing even in ancient Rome – St Basil the Great (329-380) is said to have condemned the tattooing of a lover's name that he observed on someone's hand. While I'd certainly never advocate getting a permanent mark of your relationship too hastily, it does seem that the instinct to inscribe a permanent token transcends the ages. Caveat amator.

 

Single tattoos that span multiple bodies appear to be a more recent phenomenon, however. In 1977, New York-based tattoo artist Spider Webb undertook what was probably the first conceptual art project to use tattooing, in a piece called X-1000, in which he tattooed single, small Xs on to 999 individuals, and, as a culmination, one large X on the final, 1,000th skin, conceived as one contiguous work. This tattoo, potentially spanning thousands of miles at any one time, was, Webb said, "the largest tattoo ever done at any point in history". In 2000, as the culmination to a performance art project begun in 1998 designed to highlight the horrific lives and plights of the homeless and hungry in Mexico City, Santiago Sierra produced his piece 160cm Line Tattooed on Four People, a single black line tattooed across the backs of prostitutes in exchange for wraps of heroin, as a symbol of their desperation, interdependence, and utter powerlessness. Sierra would later remark: "You could make this tattooed line a kilometre long, using thousands and thousands of willing people." In 2003, author Shelley Jackson famously published her short story Skin on the bodies of 2095, one tattooed word per person. These tattoos bring together strangers in common cause.

 

My favourite set of matching tattoos, though, are probably the ongoing collection of work worn by twins Caleb and Jordan Kilby, tattooed with matching work by influential and extraordinarily talented New York-based artist Thomas Hooper. If you must get matching tattoos with someone, it's wisest to pick someone whom you cannot break up with or divorce, and to get the work carried out by a tattoo artist who will produce a piece of work that will stand the test of time on its own terms.

photographs capture town stained red by hungary's 2010 toxic waste spill

spanish photographer palíndromo mészáros has created a series entitled 'the line'. the project chronicles the aftermath 
of a 2010 toxic 
waste spill in western hungary, killing nine people and forcing the evacuation of thousands, through a compendium of images 
demonstrating the material staining areas of the village red. 

the work does not focus so much on the people affected but more the noxious byproduct scarring the town's landscape. 
without using any photo manipulation, it documents trees, homes and buildings 
blemished with a scarlet hue reaching up to two meters high. 




the series documents the village stained red from a poisonous aluminum byproduct that killed 9 people when spilled in 2010


the event was widely considered the biggest  in hungarian history, where around 1 million cubic meters of the alumina 
sludge was released after the burst of the retaining wall in one of the reservoirs, used for the accumulation of rubbish from an aluminum company. 
the thick, highly alkaline substance contains heavy metals, such as lead, and is slightly radioactive which has a caustic effect on skin causing a burning effect. 



the hungarian village is permanently marked with a scarlet hue


meszaros comments with his thoughts on the opus:

'I always want to know what remains when the news is no longer 'new' anymore, the story gets forgotten by the media. 

an approach different from this traditional one seemed very natural to me. these photos have been taken six months after the accident 
when the silence takes the place of the headlines and just 'the line' is left'. 




the series focuses on a landscape scarred by disaster



the disaster was widely considered the biggest disaster in hungarian history



1 million cubic meters of the alumina sludge was released after the burst of the retaining wall in one of the reservoirs used for the accumulation of rubbish from an aluminum company



the spill killed nine people and displaced thousands






















Latvian company creates leather bound Ferrari


Motors News

We're familiar with seeing tight leather on smoking hot women, and weird old men, but it's a first for us seeing a leather bound Ferrari F430.

There seems to be a lot of fuss over this leather bound Ferrari F430 in the UK with both The Sun and The Daily Mail reporting about it recently.

However, this isn’t a new car by any means as US motoring blog Jalopnikreported on the F430 way back in August last year. It’s a pretty cool, albeit manky, car so we thought we’d show you anyway.

It’s the work of a Latvian custom car company called Dartz who hit the headlines in 2009 when they created a $1.5 million ruby red SUV with whale foreskin-covered seats. Yes, foreskin…

Anyway, some high roller with more cash then sense decided it would be a great idea to cover his €170,000 Ferrari in dark leather.

The owner of Dartz, Leonard Yankelovich, said: "One of our very rich customers from the Cote d'Azur wanted a leather exterior and knew we could deliver.

"It took three of my staff 16 working days to apply the leather and finish. He was more than happy when he picked it up."

He won’t be too happy when he scratches it though.

Is this the most expensive way to ruin a Ferrari?

Thursday 12 July 2012

Bee Collective: Sky Hive

As everybody should know by now, bees have been in a spot of bother lately. They’re really not having the best time of things, either because of global warming (probably) or because we’ve stopped loving them like we used to (less likely). Sadly if they die out, so will an enormous amount of the native flora that decorates the landscapes we inhabit – not to mention we’d have no honey, effectively rendering crumpets obsolete.

Enter the Bee Collective, a cohort of beekeeping enthusiasts led by experienced honey-monger Pierre Van de Wal. Their aim is to bring bees back into urban environments by creating a manmade habitat for them to inhabit, located high above the city streets and in public parks. Their creation Sky Hive consists of a six metre pole at the centre of a platform of hives that can be winched up and down as desired – keeping the bees out of harm’s way (or us out of their way depending on your viewpoint) but allowing them to be tended to when necessary.

The Bee Collective then takes joint responsibility for their hives, allowing the fairly laborious day-to-day tasks of beekeeping to be shared amongst its members, allowing them to fit the bees into their buzzy (YES!) schedules.

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    Bee Collective: Sky Hive

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    Bee Collective: Sky Hive

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    Bee Collective: Sky Hive

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    Bee Collective: Sky Hive

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    www.beecollective.eu

shrink-wrapped bodies by julien palast

'skindeep' by julien palast



french photographer julien palast has conceived his 'skindeep' series. the vivid image-based project silhouettes the beauty of the 
human form by shrink-wrapping bodies, exposing the contours and curves of male and female figures with vibrant colors.



the project explores the human form



male and female models are shrink-wrapped



vibrant colors silhouette the bodies























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Wednesday 11 July 2012

Old photograph fever is currently sweeping China.

China's photographic record begins only in the 1970s because nearly all earlier pictures were destroyed. The ones that survived are mostly outside China, and a major effort is now under way to bring them together online, says Mary Ward-Lowery.
Twelve years ago a student from Peking University knocked on Robert Bickers' door.
He'd come, he said, to study Keats, but he knew Professor Bickers was a historian, a specialist in Sino-British relations at Bristol University.
The student had been given a travel grant to come to the UK, with specific instructions to find historical photographs of Peking University. "Because we don't have any," his Chinese professors told him.
Old photograph fever is currently sweeping China. A new and intense appetite for images of the country's past has resulted in a publishing phenomenon - sales of books of historical photographs have rocketed.
Nanking Road, Shanghai, 1925
Such photographs are exceptionally rare in China. The turbulent history of the 20th Century meant that many archives were destroyed by war, invasion and revolution. Mao Zedong's government regarded the past as a "black" time, to be erased in favour of the New China. The Cultural Revolution of the late 1960s finished the job.
"If you were at all savvy," says Bickers, "you realised early on that you had to destroy your own private family records, before the Red Guards came and found evidence of your bourgeois, counter-revolutionary past, when you might have drunk coffee in a café bar, à la mode."
Continue reading the main story

Find out more

  • Old Photographs Fever: The Search For China's Pictured Past can be heard on BBC Radio 4 at 1102 BST on Wednesday 11 July 2012
  • Or listen again using the link below
  • BBC Radio 4 - Old Photographs Fever
Holiday snapshots, studio portraits of weddings and babies, all were dangerously incriminating. So people destroyed their own family collections, rubbing out over 150 years of photographic history in the process.
But now China is opening its horizons, looking to the West and to the past, to reclaim its cosmopolitan history.
After the Tiananmen Square protests of 1989, Chinese leaders concluded that young people did not fully appreciate what the Communist Party had done for China, so they began an ambitious new policy of historical education, the Patriotic Education Movement. The craze for old photographs is partly a by-product of this movement.
But such photographs are not to be found in China. They are in the attics and wardrobes of foreigners - many British - whose families once lived and worked in China and who took their photographs safely out of the country when they left.
Bickers is leading a project to collect the photographs and make them freely available. It started when he put online a list of 2,000 British policemen who had worked in the Shanghai Municipal Police.
Relatives contacted him to find out more, attaching photographs. Bickers was astonished. "There were photos of Chinese society, culture and people that I have never seen before. I had never seen anything like them," he says.
Four women in Chinese clothes, Hong KongThese women were pictured in 1910 Hong Kong
Now the photographs arrive from all sorts of people and places, ranging across every possible subject and every part of China.
The British - businessmen, missionaries, customs officers and police - were everywhere, even in remote places where very few people even possessed a camera.
Some collections, like those of Tita Hayward and Audrey Gregg, record a childhood of privilege and frivolity spent mostly in the company of servants, as their parents attended to business and a hectic social life.
There are unintentionally controversial photographs by policeman William Armstrong, depicting plump and contented peasants in the 1920s, whereas communist propaganda suggested they were starving and unhappy.
G Warren Swire's collection records the trading interests of John Swire & Sons. His photographs of warehouses and dockyards might be thought dull were it not for Swire's careful - and beautiful - compositions and the fact that most of these landscapes no longer exist.
Rapid urban development in China has meant that historic buildings and neighbourhoods have been swept away and replaced with skyscrapers. They exist now only in people's memories or in these photographs.
China Navigation Company ship on Whangpoo River, Shanghai, c.1906.Few photos exist of shipping in Shanghai in the early 1900s
One of the treasures of the collection, however, is a set of photographs taken by a Chinese politician and diplomat, Fu Bingchang. Fu was a talented amateur photographer and his subjects just happen to include the Kuomintang elite.
When the Nationalist government fell in 1949, Fu was sent into exile but before he left he arranged for his papers to be smuggled to France.
Fu never saw them again but in the early 70s, his son Johnny received a phone call from Fu's former secretary, Chen Ding, inviting him to his house in St Cloud, the Paris suburb where he'd lived for the past 20 years.
Johnny discovered a dozen leather suitcases full of photographs, diaries and paintings, an incredible treasure trove, a gift from his father.
"I was 12 years old and living in Macao when the Japanese attacked," recalls Johnny, now 83 and living in Lancashire in the UK.
"We had to run away because of my father's position. We had to walk for seven days non-stop, drinking water from paddy fields.
"I was lucky to be alive, lucky to carry the clothes on my back, so we were very lucky to be able to salvage the photos."
Fu Bingchang and Sun Ke (son of Sun Yat-sen), 1948-9Fu Bingchang (left) was a senior diplomat and keen photographer
Bickers calculates that one British person in 10 has some historical connection to China and he wants their photographs to add to the online collection.
"These photos are an inadvertent legacy of that period of national humiliation, of British supremacy in China.
"I feel strongly that this is an act of historical restitution, giving back to China something that's now here, that was taken."

Tuesday 10 July 2012

Swiss photographer captures the fleeting moment when multi-coloured soap bubbles wobble into life

Photographer Fabian Oefner captures mysterious objects that look like visions captured by the Hubble space telescope - but they're in fact ordinary soap bubbles, wobbling into life for a precious few seconds before they pop.

Oefner used a sugar funnel to blow up the mixture from an ordinary children's pot of bubbles. 

Oefneer had to use a special lighting rig to give his images their peacock-like colours, 'With this series of images, I was trying to capture the beauty of these short-lived sculptures, which consist of 99% air and actually do not have any colour at all.'

Photographer Fabian Oefner captures mysterious objects that look like visions from the Hubble space telescope - but they're in fact ordinary soap bubbles

Photographer Fabian Oefner captures mysterious objects that look like visions from the Hubble space telescope - but they're in fact ordinary soap bubbles

 

Oefner explaisn 'Most of us remember playing with soap bubbles in our childhood, when we were fascinated by the colours of them and therefore even more disappointed when the bubble all of a sudden disappeared again.'

Oefner explaisn 'Most of us remember playing with soap bubbles in our childhood, when we were fascinated by the colours of them and therefore even more disappointed when the bubble all of a sudden disappeared again.'

 

Fabian, a 28-year old art photographer from Zurich, was inspired by memories of blowing bubbles as a child

Fabian, a 28-year old art photographer from Zurich, was inspired by memories of blowing bubbles as a child

 

'With this series of images, I was trying to capture the beauty of these short-lived sculptures, which consist of 99% air and actually do not have any colour at all,' says Oefner

'With this series of images, I was trying to capture the beauty of these short-lived sculptures, which consist of 99% air and actually do not have any colour at all,' says Oefner

Talented Fabian Oefner made it his mission to capture the short-lived beauty of bubbles at the point of bursting

Talented Fabian Oefner made it his mission to capture the short-lived beauty of bubbles at the point of bursting

.Fabian, a 28-year old art photographer from Zurich, was inspired by memories of blowing bubbles as a child, but put scientific principles into place to get the required results.

He explains: ‘Most of us remember playing with soap bubbles in our childhood, when we were fascinated by the colours of them and therefore even more disappointed when the bubble all of a sudden disappeared again.

‘With this series of images, I was trying to capture the beauty of these short-lived sculptures, which consist of 99% air and actually do not have any colour at all.’

But in the series he calls 'Iridient' the challenge was in lighting the subjects to make them visible to the camera and then capturing the split second before they popped. 

Fabian explains: ‘There are two major challenges, when taking images of bursting soap bubbles. One is how to light the bubble, so that its colours become visible and second is obviously to capture the right moment. 

‘A soap bubble is made of a thin film of water, on which soap molecules gather on both sides. The vibrant colours, that bubbles are famous for, are created by the reflected light hitting the surface of the bubble. This effect is called iridescence, a phenomenon that is also visible on the wings of the morpho butterfly or on the tail feathers of a peacock.

Oefner's results look like shimmering space objects or even otherworldly transparent creatures

Oefner's results look like shimmering space objects or even otherworldly transparent creatures

Oefner says, 'With this series of images, I was trying to capture the beauty of these short-lived sculptures, which consist of 99% air and actually do not have any colour at all.'

Oefner says, 'With this series of images, I was trying to capture the beauty of these short-lived sculptures, which consist of 99% air and actually do not have any colour at all.'




EU parents warned children need papers to stay in UK after Brexit | Politics | The Guardian

EU parents warned children need papers to stay in UK after Brexit | Politics | The Guardian : 'via Blog this'